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You can find hardware encoders from $300 to $25,000 that will run on a Macintosh which one you acquire will depend on your sense of quality, your clients needs, your turnaround time requirements, and of course, the size of your checkbook A small $300 desktop MPEG converter isn t going to make an encode that competes with a $100,000 hardware system with DVNR and all of the attendant digital signal processing bells and whistles But do remember that a digital video path is going to net you a better encode than an analog video path, in pretty much every case This means an encoder with an SDI (Serial Digital Interface) input will have a better chance of creating a great encode than one that processes analog In the analog video world, a properly aligned Component video input should create an encode superior to a Composite video

To link a Formatter with a stream, you must use one of Formatter s stream-enabled constructors The ones used here are Formatter(OutputStream outStrm) Formatter(PrintStream outStrm)

We can discuss encoders all day long, but the content being encoded is an equal or perhaps more important part of the equation Encode rate or encoder quality alone aren t enough to guarantee a successful, artifact-free encode The very nature of the video itself can determine if an encode at a given rate will be successful or not To this end, it is helpful to understand some things that drive MPEG encoders crazy and can cause less than acceptable MPEG-2 results

Fast motion content, with lots of cuts and saturation, is difficult for many MPEG-2 encoders to handle, because of the nature of MPEG encoding itself Without going into a lengthy technical explanation, MPEG encoders are looking to remove redundant pixels in the stream of pictures, so they can compress the video program down into the smallest, most effective file size at a given encode rate Fast motion reduces redundancy in the video frames and pixels, making encoding more complex and consequently more difficult to do well Other potential problems include large areas of solid color with objects moving over them, such as a person walking in front of a solid color wall, as well as large areas of trees blowing in wind, grassy fields, or water in motion All of these seemingly innocent pictures can create havoc for an MPEG-2 encoder In cases of problematic content, selecting VBR encoding is a good possible solution The 2-pass nature to VBR encoding means that the encode rate can be optimized to bring more bits to the areas of image complexity that need them, while maintaining the proper average bitrate to ensure the file will fit in the finished DVD We ll cover this a bit more when we discuss encoding from within Final Cut Pro

4:

TIP! On the accompanying DVD, we ve included a very nice high-Def clip of fast-moving waves, courtesy of our friends at Artbeats This clip should be an ideal torture test for any encoder

The outStrm parameter specifies a reference to an output stream that will receive output The first version works with any OutputStream, including FileOutputStream The second version works with PrintStreams The PrintStream class provides the print( ) and println( ) methods that are used to output Java s basic data types (such as int, String, and double) in a human-readable form As you may know, Systemout is an instance of PrintStream Thus, a Formatter linked to Systemout will write directly to the console For a description of the format( ) method defined by Formatter, refer to An Overview of Formatter, presented near the start of this chapter

in excess of 6 Mbps, as that seems to be a threshold point at which playback difficulties can be caused that can overshadow the quality of the MPEG encode In general, this issue relates to DVDVideo capable computers with lesser-powered CPUs, which may have some difficulty dealing with high encode rates, and especially high encode rates combined with PCM audio Higher bitrates can also cause problems on portable computers and portable DVD players when powered by batteries This problem does not seem to surface up as much in set-top DVD players, as they are built specifically to process DVD Video encoded at higher bitrates